Keep Your Eyes on the Driver

you can tell a lot about a person just by taking a short drive with them. are they safe? do they take risks? are those risks calculated? do they ask you if you are hot/cold? or do they automatically turn the music down/change the station for you (because they’re embarrassed). when you’re cold, are they sweating because they turned the temperature up to make you happy? do they sing along? do they just focus on the road, or do they turn away from the windshield to look you in the eye? do they take the time to notice the sights and sounds? or are they distracted and text while drifting into another lane, and only correcting suddenly when you bring it to their attention? It doesn’t take long to notice that we’re not talking about driving anymore. That much is clear.

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“There’s not much to say, only to do.”

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Alarming

Car alarms are like having a landline. No one wants to answer it when it goes off, or even acknowledge it. “Eh, it’ll stop inabit…”
If car alarms were more like cell phones with personalized ‘ringtones’ then you’d see more people actually give a care.
“Ooh, someone just started playing my fav song! So lively, so jazzy–oh shit my car’s getting stolen!”

 

allmostrelevant bonus material: https://soundcloud.com/gary-stensland/stolen-car-1

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Art

Art is so pointless sometimes. Don’t you think with all the thinking that artists have done over the years that we would have figured out the meaning of life by now?

You know what I think about the meaning of life?

What?

Why would God create us if we are going to die? But not really even that. Why would God create us with the capacity of knowing we’re going to die? Why couldn’t he just have made us live forever? Or at least make us unaware of what death is? That’d save me a lot of trouble. I’d be happy. But you know what? Have you ever seen anything amazing come from an ignorant creature? I don’t think so. Ignorance isn’t bliss, because without knowing what dark is you can’t know what light is. Without down there’s no up. It’s like explaining color to a blind person. Live forever? That’s not the way to go. It’s in the struggle, the fight of knowing that we are going to die, and having the choice to give it our all and fight, and fight, and scrape and crawl and bleed; fight until there is nothing left in us, until we are everything we wanted to be, or become everything we hate, until we see the light and release our last breath saying, “That was all of me. That was everything. That was my magnum opus.” It is that fight that brings out the worst in us, the absolute worst of desperation, greed, malice, jealousy, and wrath. And it is that same fight that we can triumph, love, heal, conquer and live. LIVE. Really live… and that’s what makes it worth it. That’s what makes life worth living. That’s why we are alive. That’s why we were created. But do no mistake the possibility of life with real life. Do not mistake defeat for death, and hope for triumph. It is a fight. Nothing is guaranteed. Many will fail, and many will succeed, but one thing for certain is that all of us will die. You don’t need me to tell you this. It’s not a surprise. You know it’s coming, and so we are left, not even with the choices we make, but just one choice: Will you fight? Will you fight? Will you live?

But why don’t artists just say that? Why does it take them their whole life to figure that out, or maybe even never figure that out?

That IS the art. Art cannot be summarized or broken down or paraphrased without its meaning being summarized, broken down, and paraphrased as well. Art can’t be explained; it has to be experienced. How do you hear music for someone else? You can’t. How do you taste a delicious treat for someone else? You can’t. How are you supposed to live for someone else? You can’t. I could tell you the meaning of life, but it wouldn’t be the meaning of your life. It takes a lifetime of experiences to understand the meaning of life. Not just the meaning of any life; the meaning of your life. Life is the art, and art is life. We cannot live for someone else, but we struggle to, we try to pour our soul into art so that someone might feel a glimpse of the same thing we felt, live a fraction of our lives, and thus keep us alive through art. We don’t need to live. We don’t need to think. We don’t need to do anything; so I ask you this: why do we? …Your life is art, and you are the meaning of life.

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The Snowball Effect

Experience, networking, resources, success, knowledge, opportunities…

You’ve heard of the ‘snowball effect.’ Something starts out small and starts to gain momentum to the point where it’s either unstoppable or out of control, or both. Fire is another good analogy for something that can start small and grow and grow and grow, but how often does something keep growing forever? I can’t really think of anything, which is why I like the snowball effect. You have to control fire to keep it from spreading. Fire spreads on it’s own and doesn’t take any effort. I’ve never seen an idea spread on it’s own. You need people to spread ideas and you need people to have ideas in the first place.

You can’t put an idea in a museum.

Think about a snowball. You scoop up snow from the ground and pack it into a ball. It takes some molding, shaping, and effort to pack it into a tight ball, because if you don’t it will fall apart. Now look at the ground. There’s a bare spot. You took that snow and turned it into something else. You used that resource, you took advantage of that opportunity, you gained experience, you made a connection, you learned something, you became stronger, you became more successful…

There’s still plenty of snow on the ground so you scoop up a few more handfuls and make your snowball bigger. It’s now big enough for you to push it along the ground and pick up more and more snow, constantly building and improving upon what you already have. You approach a hill and see someone at the bottom trying to gather as much snow as they can, too, by making snowball after snowball, perpetually starting and starting over. They use up all the snow around them and try to move to a new area to gather more snow, but they can’t carry all the snowballs. They can only take a few in their arms so they become removed from their snowballs as they must move to start over. You watch them repeat this cycle a few times until they’ve left piles and trails of snowballs showing where they’ve been, yet they only have a few snowballs in hand to show for it. They have as much snow as you–maybe even more–but they can’t do anything with it.

The beauty of the snowball effect is that you need help. You need people.

You push your snowball down the hill and it gains speed, picking up snow as it goes, growing into something too big for one person to manage, and it breaks under its own weight. It cracks and splits into several large pieces. You waive to the person you had been watching and they come over and start rounding out the rough edges and patching up your fractured snowballs with their little ones, filling in the holes until they are round again. Like them, you initially bit off more than you could chew. You carry on, both pushing your new snowballs along, gathering more and more until the load becomes too much and must be shared by yet another, and so on, and so on.

Keep building — experience, networking, resources, success, knowledge, opportunities — keep building upon what you have until you can’t build anymore, before the other part of the snowball effect takes over…

melting.

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Stop it, Pac-man! You’re doing it wrong!

 

 

 

pac man test_2

This is my first attempt at making an animated gif. Any technical advice would be greatly appreciated.
Sorry for ruining Pac-man.

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